Urumi - The plight of a postmodern narrative !
I went to see 'Urumi' the much hyped big budget Malayalam movie directed by Santosh Sivan and scripted by Shankar Ramakrishnan without much expectation as the initial comments from my friends were not that encouraging. And that helped me a lot to digest the embarrassing moments and to appreciate the glimpses of visual imagery at times. It gives me a consolation that the popular culture has not rotten much to get overwhelmed by these kind of big budget productions.
The movie as a whole is nothing new or path breaking in either film grammar or its aesthetic, political or historic or contents. To speak about the positioning and presentation of historic characters, it made me to think that the film crew conceived them as hallucinated, semi& lunatic or arrogant mortals.
The central character 'Kelu Kotthuval' is presented as arrogant,daring, and conscious of his destiny. There are excess melodrama in all these characterizations so that we will fail to translate the character to a historic lattice.
Almost all the characters are living in a state of fantasy or erotic hedonism. And that makes it lesser modern, not at all real, and for worse a semi- cooked postmodern narrative.
Post-modern narratives will aim to negate the basic building blocks of society such as economy, class contradictions, productive relations, natural dialectics and will amplify the superfluous, secondary, derived relations of the social fabric. Here the senseless depiction of sexual anarchy takes over the movie ad a whole and reduces the freedom struggle to a mere patriarchal revenge.
Here European invasion of Kerala is presented ad the historic pretext or prelude to the environmental exploitation of the multinational corporate driven - government auded collaboration to loot the natural resources. The NGO - civil society inspired, indigenously mobilized resistance wins their land rights at the end. So far so good, though I pity the rationale and cognizance of this point if view.
As usual in commercial cinema , the movie progresses without exposing any of the thematic elements. No worries, no compliant as I don't expect this much cerebral efforts from them.
May be we can forgive Prithviraj for his whims and fancies of s new actor turned producer. But I am sad to see this sort of an infantile film sense from Santosh Sivan again and again, an icon if Indian cinematography. And it reinforces my belief that technology is not a replacement for cerebral aesthetics. Film may be a power language but at the end what matters who speaks it out and what do we say.
Erasure
A tombstone
Awaiting its pearl
With its salt and saliva
Welcomes red wild roses
And wishes luck
to count down stars
Melting tones
Winter greens
Lush of lust
They were craving for depths
Smelling mud, a skull laughed
If it withers, can life become?
Road taken from calm rails
Unto this last ring of hope
All colours are a hue and tint
But a bliss of fire from far
Never heard of corridors
That lives beyond light
Yet darkness wore shades
Happiness hidden from colours
Sinking sorrow
With a drunken vessel
Still shores loved its senses
Beams so young
clouds so long
They could meet in vapours
Stirring rain
Striking gold
All in a day's harm
Smiling leaves
Embraced the roots
Heart and its wrinkles
Heaps of hopes in hollow
Hands had enough
Harness the mask
Dance to the dusk
Day longs thereafter
Stretches of skin
Marked its white
Fair faces drowned
And lived in nymphs
Loud old voices
Lean line of thought
Tone down mirrors
Open for stillness
Closed this erasure
Away from the seizure
None could erase the epitaph
Though fate was rewritten
In mirage and rage
Infinite stars and finite spans
They loved this soliloquy
Long long tentacles
Craving for memoirs
Made a mirror of seizure
And sleepy monster lied in charm
'Where there is an ill, there is a will'
Unfilled sky thus rained in still
Gokul B.Alex
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Destiny of a Decade
ഒരു 'ഉപഹാര'സ്മരണ
അവളെനിക്കു 'രണ്ടാമൂഴം' വച്ച് നീട്ടി
ഒരു പകല്ക്കിനാവിന്റെ ഉറക്കച്ചടവില്
ഞാനതിന് പുറം ചട്ടയില് തലോടി മയങ്ങി
തെരുവിന്റെ ഊഷ്മാവിനെ ഞാന് അറിഞ്ഞില്ല
ഓരങ്ങളിലെ ഉന്മാദ ലഹരിയെ ഞാന് കുറുകെ കടന്നു
ഒരിക്കലും പൂക്കാത്ത ചന്ദന തൈമാവും മധുരം നിനച്ചു
വിറയ്ക്കുന്ന എന്റെ ചുണ്ടുകള് പ്രണയത്തെ തെറ്റിദ്ധരിച്ചു
ഓളങ്ങളില് നിലയക്കാത്ത കയങ്ങളുണ്ടെന്നു ഞാന് അറിഞ്ഞില്ല
ചുവന്ന പുകച്ചുരുളുകളുടെ പോരുളെന്തെന്നു ഇനിയും എനിക്കറിയില്ല
കത്തികരിഞ്ഞ നിലങ്ങളെ സാക്ഷി, ഞാന് അകലങ്ങിളില് ഈര്പ്പം നുകര്ന്നു
പകര്ച്ചപ്പനിയെ പേടിച്ചരണ്ട നാട്ടില് ഞാന് കോമാളിയുടെ ഭാവപകര്ച്ച തേടി
ഇനിയൊരിക്കലും വഴാങ്ങാത്ത ഊഴങ്ങളില് ഞാന് ഊഴിയിട്ടു
വഴിയോരങ്ങളിലെ സീല്ക്കാരങ്ങളില് വിടരുന്ന പാലപ്പൂക്കളെ ഞാന് കണ്ടില്ല
ഭീമന് വൈദേഹിയെയും പാഞ്ചാലി രാമനെയും അറിഞ്ഞിരുന്നെങ്കില്!
വടവൃക്ഷം ബാക്കിയായി, പിന്നെ കുറെ താപസ വാല്മീകങ്ങളും
നിസംഗം, നിശൂന്യം, നിര്ലജ്ജം, നിര്വ്യാജം നീരദങ്ങളെ ഞാന് പ്രണയിച്ചു
സത്യം അസത്യത്തെ തെടുന്നുവേന്നറിയാന് നന്നേ വൈകി
പിഴക്കാത്ത കണക്കുകളില് അഭിരമിക്കുന്ന കാലങ്ങളെ പഴി പറഞ്ഞു ഞാനും
ഞാനില്ലാത്ത നിലാവും നീര്നായകളും നാല്കവലകളില് നായാടി
ചെമ്പന് പുകച്ചുരുളിന് ധൂമമായി ഞാന് അലിയട്ടെ അക്ഷരച്ചുരളുകളില്
വേണ്ട! ബാക്കി വയ്ക്കാന് ഓര്മയുടെ അക്ഷയപാത്രങ്ങളൊന്നും തന്നെ
Intellect Explorer
It will expand and explore, in and through the times to come.
Beyond the deadlines ! Keep watching this space.
Gokul B.Alex
Capitalism and the Paradise lost
Maoism In India: Making Of A Myth

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| Maoist Affected States in India |
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14th INTERNATIONAL FILM FESTIVAL OF KERALA
14th International film festival of Kerala is my first film festival experience. I like and enjoyed it. This festival shares so many ideas and knowledge. A STEP INTO THE DARKNESS
Direction: Atil Inac
Producer Ayfer Ozgurel, Avni Ozgurel
Editing:aziz Imamoglu
This film narrated the influence of terrorism I like its story and narration .It is the mirror of the present face of the world.
WHAT THE SOFI SAID
Direction: Priyanandan
Producer;Prakash Bare
Editing:Venugopal
This film story integrate the religious legend of North Kerala
This story also narrates the Hindu-Muslim relation.
TRUE NOON
Direction: Nosir Saidov
Producer;Rustami Joni
Editing:Dilovar Sultonov
This film telling the relation of human mind.An old man is the center character of this film.
TRAIN IN THE TENTH FLOOR
Direction: Joshy Mathew
Producer;Jos Thomas
Editing:Bina Paul
Sankaran is the main character ,he is suffering from schizopherenia.After the dismissal fom his job is leaving in a mental hospital. His family members forgete him but he sending mails daily .Nobody replay to him After Sankaran’s death a letter got his son now his metalfeeligs are changing.This film concluded on this statement that is schizopheriana is a traditional deaseas.
All is not green here !
The Blind and Brutal
"In another daring attack, Naxals blew up a bus on Dantewada-Sukma road in Chhattisgarh on Monday. Around 50 people, including security personnel who were on the bus, were feared dead in the attack."












